INTO THE HINTERLANDS by JULIA YEZBICK
Into the Hinterlands is a video collaboratively produced with the Detroit-based performance ensemble, The Hinterlands who practice a form of ecstatic training which they see as a provocation towards the unknown. The “hinterlands” evokes an unknown space both physical and imaginary whose mystery is its very source of generation and from which their creativity emerges. Their practice is one of ecstatic play, of finding the edge of one’s balance, and the limits of one’s body.
Tuesday April 12, 2016
at 5:30 p.m.
Julia Yezbick’s film HOW TO RUST will screen at the Ann Arbor Film Festival on March 20 at 11am.
HOW TO RUST
(Julia Yezbick, 2016 25 min.)
Detroit artist Olayami Dabls’ installation “Iron Teaching Rocks How to Rust” is a metaphor for the forced assimilation of Africans to European culture and language. Here Dabls’ bricolage of the postindustrial landscape becomes a commentary on the half-life of Fordism, where the relationship between cultural production, history, and place is recast, revealing larger truths about how we mythologize a former glory and shape an imagined future.
CMP student Philip Cartelli and Mariangela Ciccarello’s film, Lampedusa has its world premiere at the Lorcarno Film Festival.
Philip Cartelli and Mariangela Ciccarello
Italy, France, USA · 2015 · DCP · Color and Black and White
Combining high definition and Super 8 footage, Lampedusa is composed of interwoven narratives based on a series of real events. In 1831, a volcanic island suddenly erupted from the sea a few kilometers off the southern coast of Sicily. An international dispute ensued, as a number of European powers laid claim to this newfound “land”. The island receded below sea level six months later, leaving only a rocky ledge under the sea…
CMP student Joana Pimenta wins the Tom Berman Most Promising Filmmaker award at the Ann Arbor Film Festival for her recent film, “The Figures Carved into the Knife by the Sap of the Banana Trees” (As Figuras Gravadas na Faca com a Seiva das Bananeiras).
“The Figures Carved Into the Knife by the Sap of the Banana Trees”
2014, DCP, 16 minutes
The rapid turning of a light draws a circle. In the space bound by its line unravels an archive of postcards sent between the island of Madeira and the former Portuguese colony of Mozambique. The figures carved into the Knife by the Sap of the Banana Trees circulates between a fictional colonial memory, and science-fiction.
Into the Hinterlands by CMP Student Julia Yezbick premieres at the Berlin Film Festival.
The Hinterlands, a Detroit-based performance ensemble, practice a form of ecstatic training which they see as a provocation towards the unknown — a space both physical and imaginary whose mystery is its source of generation and from which their creativity emerges. Their practice is one of ecstatic play, of finding the edge of one’s balance, and the limits of one’s body.
Into the Hinterlands
2015, DCP, 39 mins.
God Listens To Those Who Praise Him
A 16-channel sound composition exploring the Islamic acoustics of Istanbul and Turkish Berlin through sound, urban space and ritual by Peter McMurray
Wednesday Oct. 8, 2014 at 4:00 p.m.
Harvard Studio for Electro-Acoustic Composition
Paine Hall, Rm. 33 (3rd floor)
Save the date! There will be an informational meeting for students about the PhD Secondary Field degree in Critical Media Practice (CMP) on Tuesday Oct. 21 at 5:00 p.m. in Sever 416. The CMP Directors of Graduate Studies, Lucien Castaing-Taylor and Peter Galison will speak briefly about the program followed by short presentations by enrolled CMP students and alumni of the program. Light refreshments will be served.
The application for admission into the Critical Media Practice Secondary Field is now due on November 1st for the fall semester and April 1st for the spring semester. Note: If this date falls on a weekend, the applications are due the following Monday.