Month: May 2021

The Film Study Center and Critical Media Practice program are delighted to announce our 2021 Flaherty Film Seminar Fellows, who will attend the seminar in July.

Parker Hatley (CMP student and 2021-22 FSC-Harvard fellow)
Chrystel Oloukoï (CMP student)
Julia Sharpe (CMP student and 2021-22 FSC-Harvard fellow)
Daphne Young Xu (2021-22 FSC-Harvard fellow)

This list includes our fellows from 2021 and 2020 as last summer’s seminar was canceled.

OPACITY
Programmed by Janaína Oliveira

Uncertainty, fragmentation, opacity. We live in a time when the transparency of convictions and definitions and the desire for total understanding of differences that historically guided the Western world of images no longer holds. In cinema, the boundaries between center and margin have been loosened and dissolved. Today, the critical issue may no longer be to relocate the center but our perceptions of the margins. More than ever, the traditional geographical boundaries of cinemas have proven unsatisfactory, as cultural and historical connections are continually reworked. Moving images require both filmmakers and viewers to negotiate what is not understood: there is no such thing as a blind spot; there never was. The spots are opaque, and they compel us to shape new tools for describing what we see, feel, and think.

The 66th edition of the Flaherty Film Seminar will inspire us to look defiantly at the opaque places of cinema. As suggested by the writer and philosopher Édouard Glissant, the works presented will “clamor for the rights to opacity for everyone” in their irreducible singularities. Opacity is an unfolding force that creates openings and endless possibilities of cinematic existence, especially for subjects that have been excluded or are less valued on conventional screens. The Seminar will be an opportunity to experience the moving image in its power, beauty, and, most of all, ordinariness. As an invitation for displacement or provocation, it points to an open future, to cultural, formal, aesthetic freedoms, where questioning is prioritized over finding answers.

CMP welcomes four new students to the secondary field: Ria Gyawali from Anthropology, Ana Laura Malmaceda from Romance Languages and Literatures, Junnan Mu from African and African American Studies, and Nnenna Onuoha from Anthropology.

We look forward to following their research and artistic practice and supporting their capstone work.

“Chaque Mercredi Caracas,” the first publication of CMP Projects, was awarded one of the Most Beautiful Swiss Books 2020. CMP students Noha Mokhtar and Xavier Nueno, in collaboration with visiting editor and designer Gregor Huber, worked on this publication in the context of the new course CMP Projects: Publication and Production, offered since Fall 2020 by Joana Pimenta.

The book presents a sequence of black-and-white images taken from the travel sections of the newspapers Le Monde and The New York Times from the 1960s onwards. By focusing on visual representations of “the Other” in travel reportages and advertisements, the collection of images explores the relationship between colonialism and the evolution of mass tourism in the second half of the 20th century: a world that is within reach and ready for consumption. As an insert to the book, “Our Letters Crossed” responds to the images from today’s perspective. In a collection of letters written by friends in different parts of the world, each one addresses its sender’s experience of an unprecedented year. 2020 is an island that didn’t exist.

We are delighted that the book won this important award! Every year, the Swiss Federal Office of Culture organises the “Most Beautiful Swiss Books” competition to honour outstanding achievements in the field of book design and production, with particular attention being paid to works that express contemporary trends. The 19 Most Beautiful Swiss Books of the 2020 edition were named by the FOC on the recommendation of an international jury. The award-winning books will be shown in an exhibition at the Helmhaus Museum in Zurich from 24 to 27 June 2021 and will then be on display at other locations in Switzerland and abroad.

In the meantime, CMP Projects is already working on its second publication, together with Parker Hatley.

The book is published by Edition Hors-Sujet and is now available in different bookstores in the US and Europe, as well as on the website. You can also find it at Printed Matter in NYC.